Four Corners Folk Festival to feature Molly Tuttle

Posted
2019/08/Molly_Tuttle3-188x300.jpg Photo courtesy FolkWest
Molly Tuttle is slated to bring her award-winning and genre-stretching talent to the stage of the 24th annual Four Corners Folk Festival, which will take place Aug. 30-Sept. 1 atop Reservoir Hill.

By Crista Munro

Special to The PREVIEW

The 24th annual Four Corners Folk Festival is just a little over a week away, taking place Aug. 30-Sept. 1 on Reservoir Hill downtown.

Thousands of visitors will flock to town to enjoy to the epic musical roster on this year’s lineup that includes The Earls of Leicester, Billy Strings, Amy Helm, The Mammals, Darrell Scott, Rob Ickes and Trey Hensley, The East Pointers, Lindsay Lou, JigJam, Mile Twelve, Wild Rivers, The Arcadian Wild, Maybe April and this week’s featured artist: Molly Tuttle.

A virtuosic, award-winning guitarist with a gift for insightful songwriting, Tuttle evolves her signature sound with boundary-breaking songs on her compelling debut album, “When You’re Ready.”

Already crowned “Instrumentalist of the Year” at the 2018 Americana Music Awards on the strength of her EP, Tuttle has broken boundaries and garnered the respect of her peers, winning fans for her incredible flatpicking guitar technique and confessional songwriting. Graced with a clear, true voice and a keen melodic sense, the 26-year-old seems poised for a long and exciting career. “When You’re Ready,” produced by Ryan Hewitt (The Avett Brothers, The Lumineers) showcases her astonishing range and versatility and shows that she is more than simply an Americana artist.

Since moving to Nashville in 2015, the native Californian has been welcomed into folk music, bluegrass, Americana and traditional country communities — even as “When You’re Ready” stretches the boundaries of those genres. Over the past year, Tuttle has continued to accumulate accolades, winning Folk Alliance International’s honor for Song of the Year for “You Didn’t Call My Name” and taking home her second trophy for the International Bluegrass Music Association’s (IBMA) Guitar Player of the Year (the first woman in the history of the IBMA to win that honor).

“I love so many types of music,” she said, “and it’s exciting to be a part of and embraced by different musical worlds, but when I’m creating I don’t think about genres or how it will fit into any particular format — it’s just music.”

“When You’re Ready” is infused with an intoxicating wash of drums and electric guitar while still keeping Tuttle front and center.

“I wanted to keep the focus on the songs,” she said, “but also make an interesting guitar record.”

The album opens with “Million Miles,” a song that her songwriting collaborator Steve Poltz brought to her, mentioning that he and Jewel started it in the ‘90s and didn’t complete it. With their blessing, she finished the song and enlisted Sierra Hull to play mandolin and Jason Isbell to sing background vocals. The wistful track sets the tone for an album that offers subtle moments of reflection as well as dazzling musicianship.

Tuttle wrote or co-wrote all 11 tracks since moving to Nashville, giving the project a unified feeling.

“A lot of the songs are more personal than I’ve written before, and many of them are conversational, like one person talking to another,” she said.

But, when it comes to the messages of the songs, each one stands apart. “Take the Journey” provides encouragement, even as “The High Road” finds two individuals going their own way. Later, the subdued “Don’t Let Go” concludes with a spaced-out slow groove, while “Lights Came On (Power Went Out)” amplifies the album’s youthful energy. “Sleepwalking,” a gentle love song, may be the album’s most impassioned and emotionally intense moment.

Tuttle grew up in California in a musical family, performing at festivals with her father and two brothers. As a young girl, she took violin lessons, but eventually grew more interested in playing guitar. Fortunately, her father, Jack Tuttle, is a noted instructor in the Bay Area.

“My dad brought me home a little guitar and he would sit with me whenever I wanted to play it and show me something,” she recalled. “He was really encouraging, and I think that’s what made me stick with the guitar. I liked having a fun thing to do with my dad and practicing didn’t feel like a chore.”

By the age of 11, Tuttle was attending bluegrass jams and decided that she wanted to do more singing. She took voice lessons from one of her neighbors, a classical vocal coach who taught proper technique without sacrificing phrasing. As a young woman interested in bluegrass, Molly Tuttle admired bold songwriters like Hazel Dickens and looked up to Bay Area bluegrass musicians such as Laurie Lewis and Kathy Kallick.

As Molly Tuttle matured, her musical tastes soon ranged from Bob Dylan and Gillian Welch to The Smiths and Neko Case. Because she kept seeing Townes Van Zandt referenced to by songwriters she admired, she dug into his catalog and found “White Freightliner Blues.” Her own exceptional rendition has become a showcase for her nimble playing, as well as a graceful nod to her musical heroes. And the circle continues: Her own instructional videos of the song online have been discovered by the next generation of pickers, who look to her as a role model and for inspiration.

After graduating from high school in Palo Alto, Molly Tuttle enrolled in Berklee College of Music in Boston, where she studied in the American Roots Music Program, focusing on guitar performance and songwriting.

“In my time at Berklee,” she said, I developed much better understanding the fingerboard, so that gave me the freedom to play more of what I heard in my head and to try to play something that was meaningful to me.”

That sense of freedom and accomplishment carried over to making “When You’re Ready,” which conveys a true progression of her distinctive talent and musical ambition.

“This album feels like more of a collaboration with new people I’ve met since moving to Nashville, which is really cool,” she said.

Tickets and additional information about the festival, including the main stage schedule and information on all of the artists, can be found online at www.folkwest.com. We’re still looking for a few more volunteers to help with site setup, hospitality and equipment load out. Working two four-hour shifts earns complimentary three-day admission. Check the website for more info and a volunteer application.

The Four Corners Folk Festival is supported in part with matching funds from Colorado Creative Industries.